
So that was 2018. Thank you for your support and being part of the journey.
Wishing you all the best for 2019!
So that was 2018. Thank you for your support and being part of the journey.
Wishing you all the best for 2019!
Here’s a brief snapshot of the studio in its current state. This is where the action happens. It’s a small space, but I’ve optimised it.
After Rembrandt left the studio, I needed some one else to keep watch over things. So the Spanish painter to the court of King Phillip IV, Diego Velázquez (1599 – 1660) was it.
A cold mountain river cleaves its way between two massive mountains, etching its course into a deeper gorge with each passing aeon. For a brief moment in that expanse of time Peter Gric and I navigated our way along its twisting course.
This is my studio view at the moment. I’m out of the city for awhile at Peter Gric’s house in the country.
I did things a bit differently this time around. I marked out the drawing on the canvas in ink rather than pencil and I also blocked in some of the shadows to force me to concentrate on the values of the painting.
Here she is, all framed up and ready to go. Dali had said, “A painting is finished when it is sold and paid for.” A framed artwork is very close to that for me.
Westward from Brisbane, over the mountains on the Darling Downs, artist, Steven Bowerman, is building his artist camp.
In this photo I am inspecting a living fossil a grass tree (Xanthorrhoea) one of the first flowing plants.
I have long admired Vincent Van Gogh’s “Starry Night”. Well it seems mathematicians have now come to a greater appreciation of his artwork also.
In the past week there has been a re-occurring theme that has come to my attention. It has garnered various name, some of which might be, Utopia or the new Summer of Love. I am at this moment in time,…
The Prado Musuem partnered with Google to photograph some of the most famous works in their collection, such as The Garden of Earthly Delights by Hieronymus Bosch.