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Nyctophilia - the Love of Darkness

Nyctophilia – the Love of Darkness

Nyctophilia – the love of darkness or night, or feeling like you belong in the dark.

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Hard Soft Lost Edges

Hard Soft Lost Edges

Edges in art refer to the transition between two shapes of colour or value. Edges are strongly related to value! Edges are defined as either, hard, soft or lost.

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Divided Values

Divided Values

When considering the values of an image, we divide them into two camps, light and shadow, that which is directly receiving light and that which is not.

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Values That Make Sense

The illusion of realism in an image is dependent upon the correct organisation of values. A value is how light or dark a portion of an image is, whether monochrome or colour, in relation to the rest of the image.

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"Rembrandt 1655", Leo Plaw, 24 x 30cm, oil on canvas

Goodbye Rembrandt!

Goodbye Rembrandt! It was a pleasure to have you watch over my studio, my struggles, my progress and triumphs. Now Rembrandt is off to a new home in another country, thankfully one that is still accepting post.

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Keep calm carry on painting

Keep Calm Carry On Painting

We are all facing challenges right now. Events unprecedented in world history are seeing us quarantined, locked down and isolated. How do we deal with this?

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Returned Art Mail

How the Coronavirus Lockdown is Turning Into a Business Shutdown

One small step after another, things are becoming tighter. Because of Coronavirus restrictions, post is no longer being delivered to certain countries.

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No Patreon

Why I Said No to Patreon and Yes to My Own Membership Website

Why I said no to Patreon and yes to my own membership website.

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"The Big Leap", Leo Plaw, 80 x 100cm, oil on canvas

The Big Leap

Mass panic is like a game of follow the leader over the edge of a cliff. The result will be unpleasant.

#covid2019 #coronavirus

“The Big Leap”, Leo Plaw, 80 x100cm, oil on canvas
Original available.

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"Figure 54 - Graphite Drawing", Leo Plaw, 21 x 30cm, graphite pencil on paper

Figure 54 – Graphite Drawing

Here we are at the end of February, and here is my last drawing for #Figuary2020. This is number 14 in the series, which means I’ve averaged roughly a drawing every two days.

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"Figure 53", Leo Plaw, 21 x 30cm, graphite pencil on paper

Figuary 2020 #13

Stand fast and meet the challenges presented to you. Don’t be afraid to set your boundaries. No is just as beneficial and valid as yes.

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"Figure 52", Leo Plaw, 21 x 30cm, oil on canvas

Figuary 2020 #12

Be grateful for what you do have, not ungrateful for that which you don’t.Making time to stop and reflect upon what you have can give you a more calming perspective, because we are often more focused on what we want, not yet have, or that which we no longer have.

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Aristotle

Museum Study

On my visit to the museum, I also paid a visit to Aristotle and rendered him in graphite. After rendering, I am now reading up on what is left to us of his thoughts.

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Render unto Caesar

Render unto Caesar

I spent the afternoon in the Museum drawing from antique Greek and Roman sculptures. How could I pass up Caesar?

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"Figuary 2020 #11", Leo Plaw, 21 x 30cm, graphite pencil on paper

Figuary 2020 #11

What’s around the corner? You’ll only know if you look. The unknown lies in the realm of imagination and can take on any shape or size you can conceive of.

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"Figure 50", Leo Plaw, 21 x 30cm, graphite pencil on paper

Figuary 2020 #10

I have to say the practice and process of doing these figure drawings is becoming easier. I may even be learning something.

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"Figure 49", Leo Plaw, 21 x 30cm, graphite pencil on paper

Figuary 2020 #9

Figurary #9 was taking its time.I had to draw many many lines.Other things got in the way.What more can I say?

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Figuary 2020 #8

Figuary 2020 #8

I might be a little late with number 8, but I’m trying to keep up to date, with #figuary2020.

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Figuary 2020 #7

Figuary 2020 #7

Here’s the next drawing in my on going #figuary project.

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Figuary 2020 #6

Figuary 2020 #6

It’s been a busy day, and I completed #6 for #figuary.

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