On a very hot Friday evening I made my way over to the Görlitzer Park in Kreuzberg. There in the only remaining buildings from the former railway station was the new cafe Isa Mitz opening. In the basement for the past three months a collection of UV artists from the Sinneswandeln project have been busy building a black light mini-golf course.
Ellen Harting headed up the project to organise painters and sculptors create 5 unique themed rooms. Ellen herself also provide a number of sculptures and installations, some also being internally lit with changing colours. One of the artists she brought in to the project was my friend Micha Colory Krebs.
I was called in on the opening night to make a photo documentation of their hard work. I had visited the worksite a number of times before, but on the opening night with all of the tools and materials cleared away and the UV lights turned on it looked very impressive. It looks like they might already have another project waiting for them.
After departing with Anja Brinkmann and stopping off for a cooling icecream, we paid a visit to Strychnin Gallery‘s latest exhibition opening “FutureScapes” featuring the artists, Michael Page, Sri Whipple, Jason Wheatley and Damon Soule. After a run of shows that didn’t interest me, Strychnin finally had some great paintings to satisfy my eye with great technique and attention to detail. Of most interest to me were the organic like collaboration pieces. While there Yasha Young had a chat to me about the many things she and the gallery are involved in. I don’t know if she ever takes a rest.
We also caught up with Wolfgang Reimers at “FutureScapes” and then later rediscovered we all our favourite vegi-burger shop in Berlin to round the evening out.
But that wasn’t to be the end of my evening, I then went on to meet up with digital artist Héctor Pineda from Mexico. But I’ll tell you more about him in my next article.
[…] The painting began as an experiment in working with leaf metal and then painting on it. Two artists, Brad Kunkle and Steven DaLuz, have particularly inspired me to attempt to work oils on this surface. The effects they can achieve are stunning. I have seen some of Brad Kunkle’s works in the flesh at the former Strychnin Gallery in Berlin. […]