I’ve explored a few ruined castles now and Emmerberg would have to be one of the best.
A cold mountain river cleaves its way between two massive mountains, etching its course into a deeper gorge with each passing aeon. For a brief moment in that expanse of time Peter Gric and I navigated our way along its twisting course.
This is my studio view at the moment. I’m out of the city for awhile at Peter Gric’s house in the country.
I did things a bit differently this time around. I marked out the drawing on the canvas in ink rather than pencil and I also blocked in some of the shadows to force me to concentrate on the values of the painting.