News

Page 1 of 11

Dali Museum

November 25th, 2007

Dali Museum, Figueres, Spain

This month, Anja Brinkmann and I went to the Dalí Museum in Figueres, Spain. We hired a car and drove north from Barcelona. We were both excited to see the museum. Having wound our way through the tiny streets of the old town center, there were the unmistakable eggs sitting atop the museum.

Having seen many photos of the museum, there were many moments of aha, so that's where that feature belongs. Entering the museum, you are greeted by Dalí's raining car, however it is not raining. To my disappointment, I discovered that you have to put money in a coin slot. This was the first of several instances in the museum where things are coin operated, "Avida Dollars!".

Mounted on the bonnet of the car is a grandeouse sculpture that Ernst Fuchs cheekily gifted Dalí for his museum. But Dalí was the master and had a surprise install for Fuchs. At the grand opening of the museum, there was his sculpture perched on bonnet like an ornament.

In the Dali MuseumScattered throughout the museum are a number of his famous works, but also many others that I found of little interest. As a painter I guess I'm biased. As a lover fine painting, I guess I'm biased again. So it was with great interest that both Anja and I studied his most famous paintings. What surprised me, was how small these paintings are. A few years ago in Berlin, I saw Dalí's famous melting clocks, "The Persistence of Memory". It was tiny! So I've come to realize that finer works are usually small and the larger somewhat more rough or simple.

His Sterogram paintings were fascinating to look at, and did create a great sense of depth. There were numerous examples of these about the museum. I was wondering how he chose the colours to created the depth illusion.

At the end of it all, I felt like there was something missing. After being so privileged to have meet so many superb and talented artists in the recent years, and then visit them in their studio, I realized that this was not possible with Dalí. But on our last round of the gallery we did find his tomb in the basement of the museum. So he was there, but not there.

After a very late lunch, we then drove to Port Lligat (Cadaques) to see his home. After travelling on the "senic route" to Port Lligat along winding hillside roads, we arrived rather late, just as his home, now a museum was being closed. The only residents to be seen were the multitudes of cats. I could instantly see what attracted Dalí to Port Lligat. Beautiful clear water in a protected bay, and very secluded.

And so ended our Dalian journey, from the outside of his house we looked at the garden walls and could only wonder and imagine at the parties and visitors that came to see the grand surrealist.

Deconstructing Roy Lichtenstein

November 4th, 2007
Deconstructing Roy Lichtenstein

Deconstructing Roy Lichtenstein by Charlie Parker

On Lines and Colors I found a post about Roy Lichtenstein by Charlie Parker. Now I did a small amount of study on Lichtenstein for my high school art, and of course have seen him reproduced in numerous modern art books. I never gave a thought to where Lichtenstein sourced his images from. I had assumed that he created them. Rather it is the opposite. Apparently he plagiarised the images from existing artworks with out even crediting the original artists. Now here comes the insult. Because the original art was “comic book” (ahem, graphic novel as we call it today) it was never considered artwork by the art snobs anyway, Lichtenstein then “elevates” it to the level of art, all with out due credit.

The original article points out that there is now a book which shows you all of the original sources that Lichtenstein lifted “his” artwork from.

I must say I view Lichtenstein in another light now, and that being rather dim.

Page 1 of 11
  • Categories

  •